Art

Between Two Evils/Αναμεσα σε δυο δεινα

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‘Scylla and Charybdis’ Collage art on canvas by Angela Zafiris

I decided to republish my collage as I feel that it reminds me of the difficult situation in Greece right now. I feel that we had to choose between Scylla and Charybdis in the referendum , two terrible things.  Scylla and Charybdis were the names of the sea monsters in greek mythology, They sank ships and drowned sailors travelling through the narrow strait. These ships had to choose, when travelling through the strait, whether to get sucked into a whirl pool or get hit by a rock. There would be fatalities either way. The idioms ‘a rock and a hard place’,  ‘the devil and the deep blue sea’ and ‘between two evils’ all stem form this myth. This is what I feel about the vote whether it is a ‘yes’ Nai or a ‘no’ Oxi,  it will still be a very difficult road ahead for us…

Αποφάσισα να ξανά δημοσιεύσω το κολάζ μου. καθώς νιώθω ότι μου θυμίζει τη δύσκολη κατάσταση στην Ελλάδα αυτή τη στιγμή. Πιστεύω ότι είχαμε να επιλέξουμε μεταξύ Σκύλλας και Χάρυβδης στο δημοψήφισμα, δύο φοβερά πράγματα. Σκύλλα και η Χάρυβδη ήταν τα ονόματα που ειχαν τα θαλάσσια τέρατα στην ελληνική μυθολογία. Βυθίστηκαν πλοία και πνίγηκαν ναυτικούς που ταξιδεύαν μέσα από το στενό πορθμό. Αυτά τα πλοία έπρεπε να επιλέξουν, όταν ταξιδεύουν μέσω αυτού του πορθμό, αν θα παρασύρονται σε μια ρουφήχτρα ή να πληγούν από ένα βράχο. Θα υπάρχει θάνατοι είτε έτσι είτε αλλιώς. Ta ιδιώματα, ‘ο διάβολος και η καταγάλανη θάλασσα’ και ‘ανάμεσα σε δύο κακά’ όλα  προέρχονται από αυτός ο μύθος. Αυτό είναι αυτό που αισθάνομαι για την ψηφοφορία αν πρόκειται για ένα «ναι» ή ένα «όχι», θα συνεχίσoυμε να εχουμε ένα πολύ δύσκολο δρόμο μπροστά μας ..

Be Kind To Yourself!

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“Be Kind to Yourself’ collage on paper by Angela Zafiris .

My hand-made collage with images from magazines, text that I typed and printed, and a message attached to a yogi tea bag that I glued on to the woman in the framed image. Then, after I scanned the image on to the computer, I played around with photo shop, and I changed the colours from blue to yellow and put a heart around the image.

“What lies behind us and what lies before us are tiny matters compared to what lies within us”.
 – Ralph Waldo Emerson

Secrets of the Museum

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A Colossal female head made of lime stone. Possibly the Goddess Hera.

This was my second visit to the Archaeological Museum of Olympia in Greece. This year, I had some cousins that were working there and they, with their observant eyes  and knowledge. were able to point out some things that I did not notice on my first visit.

One of the things that I didn’t notice on my first visit was a snake that is coming out of Hera’s head in the photograph below.

Snake coming out of Heras' Head

Snake coming out of the Goddess Hera’s Head. Yuck I hate snakes!

I was suprised to discover a heart shape on the upper right side of  this sculpture of a bull. It was prominent Greek aristocrat Herod of Atticus who had this statue of a bull made in honour of  his Roman wife Aspasia Regilla. He even built the theatre ‘Odeon of Atticus’, which is next to the Parthenon, in memory of  her. This man really loved his wife! So much so that he even had a little heart drawn on the upper right side.  Who knew people drew hearts back then too?

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The inscription reads, ‘Regilla priestess of Demeter offers the water and appendices to Zeus’.

Aspasia hung around Olympia a lot and was even the only woman to be officially a spectator at the games. Only men were allowed to take part and be spectators at the games. Yes, my ancestors were very misogynistic.  Also, bulls were used as sacrifices for Zeus at his temple in Olympia.

The Bull a gift to Aspasia wife of Herod

The Bull was a gift for Aspasia Regilla the wife of Herod

The is the very famous statue of Hermes by Greek Sculptor Praxiteles from Athens.  This is the only authentic statue that has been saved from Praxiteles. It was found in the temple of Hera in Olympia in 1877 and it dates back to 343 A.D. Hermes (messenger of the Gods)  is holding baby Dionysos (God of wine) who is crying trying to grab something while crying. Hermes  (when he had his arm) most likely had some grapes in his hand. There are some very skilful techniques in this statue, from the left he looks sad, from the right happy and from the front he looks calm.

hermesdarktext.jpgI didn’t know that Praxiteles wasn’t happy with his masterpiece, and that is why the back of the marble statue has not been polished.   Artists are such perfectionists!

Front and back view of Hermes

Front and back view of Hermes. The front is polished the back is not.

This is the breast-plate of Roman emperor Marcus Aurelius.  Marcus had an affinity towards Greece. He wrote his famous philosophical book called ‘The Meditations’ in Greek.  To show his love for Greece he had carved on his breast-plate the Goddess Athena (with the owl and serpent on each side of her representing wisdom)  standing on top of the Etruscan she-wolf who is nursing the twins Romulus and Remus. The twins are central characters in the origin mythology of Rome. The fact that the Goddess Athena is depicted as standing over the twins means that Marcus believed that Athens was superior to Rome. We can see that Athena is being crowned as well.

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Breast-plate of Roman Emperor Marcus Aurelius.

I wasn’t aware of the history of tear bottles. These tear bottles were found in a cemetery in a grave in Miraka cemetery.  The ancient mourners of the deceased would collect their tears in the glass bottles and place them in the graves to show their respect and grief. This tradition dates back to ancient Persia, Biblical times, Rome and it made a come back in the Victoria era.

Tear BottleOne of my favourite statues at the museum. The statue of Apollo in the west pediment of the temple of Zeus which was built in 472 and 456 BC. The temple was built by sculptor Phidias at Olympia. The temple housed the 13 m (43 ft) high statue of Zeus-one of the 7 wonders of the ancient world.

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The God Apollo

This old man is not on a cell phone, he is in deep thought, because he is ‘the Seer’.

The Seer

The Seer from the West Pediment of the Temple of Zeus.

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The Centaur in a battle from The West Pediment of the Temple of Zeus.

Notice the veins on the hands-now that’s impressive.

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Details of a hand.

Sculptor Phidias’ work shop was as big as the temple of Zeus. It had to be the same size as the temple since the statue was so tall.

 

Portrait of the statue of Zeus and Phidia's

A painting of the statue of Zeus and Phidias’ workshop

There are more ‘secrets’ in the museum, but I can only put so  much in a blog post. I find that some the tour guides are more knowledgable than other tour guides and some like to divulge more information than others.

The Artsy Avenue/Ο καλλιτεχνικός λεωφόρος

Narrow street with couches on a tiny sidewalk from an outdoor café in Psirri

Open shutters of an old building

Row of lamp shades against a back drop of a run down building

Funky lamp shades and chandeliers light the street at night

Lamp shades in Psirri

Chandelier in the sky with crystals

How can a creative person like myself not take a few photographs of the quirky and creative neighbourhood called ‘Psirri’. Psirri is located in the downtown area of ancient Athens and is a well-known ‘artsy’ area with a shady reputation.  Many university students live there and they have made their presence known to visitors, an example would be the lamp shades and chandeliers hanging above the streets. They light the dark and narrow streets beautifully at night.  These photographs are just a glimpse of the offbeat quality of Psirri that you won’t find in other areas of Athens.

Anti-design

While at Technopolis at Gazi in Athens I decided to check out the  modern art exhibit inside one of the buildings.  The subject of the exhibit was ‘Anti-design’. Designers were asked to re-imagine and re- create household items i.e. lamps by using recycled material, and thus making the items more affordable for people in these harsh economic times.

Ενώ  ήμουν στην Τεχνόπολη στο Γκάζι , αποφάσισα να ριξω μια  ματιά σε μια συχρονη έκθεση τέχνης. . Το θέμα της έκθεσης ήταν «αντιdesign». Οι σχεδιαστές κλήθηκαν να δημιουργήσουν είδη οικιακής χρήσης, δηλαδή λαμπτήρες, με τη χρήση ανακυκλωμένων υλικών, ετσι ωστε να ειναι η τιμη των αντικειμενων αυτων πιο προσιτη για τους περρισοτερους ανθρώπους σε αυτές τις δύσκολες οικονομικές περιόδους.